
Woodie Guthrie wrote the lyrics. Martin Hoffman set them to music. Since then, it’s been sung by Bob Dylan, Joan Baez, Johnny Cash, Dolly Parton, Bruce Springsteen, Pete Seeger and Arlo Guthrie.
It’s a ballad called “Deportees” and it tells of an airplane crash in California’s Los Gatos Canyon. On board were 28 migrant farm workers from Mexico.
The lyrics are as searing now as in 1848 when Guthrie wrote them:
The sky plane caught fire over Los Gatos Canyon,
A fireball of lightning, and shook all our hills,
Who are all these friends, all scattered like dry leaves?
The radio says, “They are just deportees.”
Guthrie wrote the ballad one night after news reports listed the names of the pilots, attendant and immigration guard lost in the crash, but referred to the farm workers only as “deportees.” After the braceros’ bodies were recovered, they were buried in a mass grave without names, marked “Mexican Nationals.”
The roundup of the Los Gatos laborers was just one episode in several government campaigns to remove Mexicans and those with Mexican ancestry. Mass deportation began in 1930 and continued through the Great Depression. Then in 1954, the Immigration and Naturalization Service (INS) brought out “Operation Wetback.” Under this federal program, officials used strong-arm tactics to arrest tens of thousands of immigrants across the country. Caught up in the raids were farm and factory workers, including American citizens.
In July of 1955, several thousand deportees were found wandering the streets of Mexicali, a desert town bordering California. Yanked from their jobs and families, they had simply been dumped across the border. According to one account, 88 died of heat exposure in the 112 degree heat.
In Texas, thousands of deportees were crammed onto boats bound for Mexican ports. Testimony before a Congressional committee described conditions akin to those on slave ships. Other immigrants were packed into trucks. By the end of Operation Wetback, the INS claimed it had “repatriated” 1.3 million Mexicans.
Goodbye to my Juan, goodbye, Rosalita,
Adios mis amigos, Jesus y Maria;
You won’t have your names when you ride the big airplane,
All they will call you will be “deportees.”
Accompanying the mass deportations were media depictions of Mexicans as dirty, disease-bearing and lazy. News coverage focused on border and immigration officials conducting raids.
Only in time did most Americans come to see this as something shameful. In a 2012 ceremony in Los Angeles, Governor Jerry Brown and Mayor Antonio Villaraigosa formally apologized for California’s role in the deportations.
On Labor Day in 2013, United Farm Worker President Arturo Rodriguez joined hundreds gathered at the Holy Cross Cemetery in Fresno, California, to memorialize the 28 farm workers killed in Los Gatos Canyon. They were 25 men and three women. This time, inscribed in the headstone, was each person’s name.
Now, deportation planes are again in the sky. Planes to El Salvador, Guatemala and Honduras. Planes to India and Rwanda. Planes to Eswatini, a tiny country in southern Africa.
Through October 2025, the Department of Homeland Security operated 1,701 deportation flights to 77 countries. And it recently bought six Boeing 737s, expanding capacity.
Meanwhile, 66,000 men, women and children await deportation in detention centers. Arrested, often with brutal force, they were tracked down in streets, courthouses, parking lots, fields and construction sites.
Some of us are illegal, and some are not wanted,
Our work contracts out and we have to move on.
Six hundred miles to that Mexican border,
They chase us like outlaws, like rustlers, like thieves.
Compared to programs of the past, Donald Trump’s campaign is Operation Wetback on steroids. The president wants 3,000 arrests a day, or one million by the end of his first year in office. Each day, it seems, he expands his list of targets, Somalis, Haitians, Venezuelans, Afghans. What they have in common is their darker shades of skin.
As I listen to Woodie Guthrie’s song, I think of my children and grandchildren. I wonder, what song will they sing in years to come? Who will write the words, and who will remember the names?
Will there be, one day in the future, a public apology, a ceremonial mea culpa for the cruelty, the harm inflicted on so many? If so, what song will we then sing.

